Abstract:
Culture is defined as a “complex whole which includes knowledge, belief, art, morals, law, custom and any other capabilities and habits acquired by man as a member of society.” (E.B. Taylor)
Culture is understood to be the key element of identity of a place. When a civilization flourishes in a particular context, heritage, in form of arts and crafts, originates and influences the architectural typology of that region. Hyderabad is one of those cities within Pakistan which have been home to Indus Valley Civilization. Their cultural practises within the area are now a part of Hyderabad’s own cultural identity.
The arrival of new technology and an introduction of industries within Hyderabad has brought about a drastic change within its society. The process through which the crafts were created has drastically changed. With that process, their meaning has diminished and the true value and essence of that product has been lost. Two of such products within the area that are undergoing such an extinction are Ajrak (Block-Printed Textile) and Manghu (Wind-catcher). There is a dearth of design and architecture within the city that can demonstrate the use of these techniques as a symbol of city’s identity.
This thesis, therefore, focuses on the notion of first understanding the methodologies of exploration of the relationships between crafts and architecture in the context of Hyderabad. Secondly, the understanding of the language and meaning of the wind-catchers, and lastly, the revival and execution of this concept into a Cultural Heritage Centre. This typology will not only provide a platform to the local craftsmen for the exploration of the crafting techniques but also act as the city’s icon, making use of the city’s traditional block printing techniques to the extent of creating architectural facades and wind-catchers as a response to the city’s dry humid climate. The long term goal is to recreate the city as a socio-cultural hub.
