Abstract:
The dissertation and consequent project is an exploration and analysis of the idea that
meaningful architecture is above all, a sense of attachment towards a specific space, much
more than form and material. In the age of form driven design in architecture, the core
ingredient for creating a sense of place in an urban context is always forgotten - its users, its
visitor; its inhabitant. The dissertation focuses that by alienating the dweller, in its various
nuances, the space loses its meaning, which is prevalent in the built context of our time.
Architecture, especially in the urban context, should be able to create a dialogue between
built environment and the community; and should actively acknowledge the presence of its
inhabitant. This aim is achieved by focusing on the multi sensorial experience of
architecture, which can be intensified by prudent use of interactive technologies.
Phenomenology has always been critical of the role of technological innovations in everyday
life because of their functional & efficient nature, and has a tendency towards a simpler,
romanticized imagery of architecture. The thesis argues that specific technological
advancement and their relationship with humans have the potential to outgrow this
sceptical stance held by eminent phenomenology writers like Martin Heidegger & Juhani
Pallasmaa. Furthermore, the. experiential nature of space and the multi - sensory
experience of architecture can be enhanced through the very use of immersive
environments. The implications of the study reveal that the use of technology can enhance
the habitability & experiential nature of architecture.
