Abstract:
Craftwork is an integral part of communities around the world. The significance of craft is
emphasized in the fact that it serves as an identity tool for multi-ethnic cultures around the
world. The promotion and transference of craft skills within the communities promotes the
individuality of any culture as well as provides opportunities for economic development.
Craft is a medium through which architecture becomes relevant to a place as it narrates the
cultural background of a community/region/country. Therefore, craft can be utilized as a means
for architecture to interpret the cultural condition of the place, through its built environment.
Accordingly, architecture can serve as a tool to propagate craftwork through narration of its
processes and materiality to user; by the experiences which are generated through
architectonics of space i.e. through composition of spaces, volumes, form, material as well as
textures. The analysis of movement patterns, spatial elements, configurations, and facade
articulation of traditional bazaar architecture generates the idea of crafting a spatial dialogue
between craftsmen's and target market to create an experiential space which forms a journey
for the target market to understand the process and skills projected by these craftsmen.
In our context, charpai making, khussa making, brass work, pottery designs, stone crafts are
traditional crafts which are acquired through informal apprenticeship system (Ustad- shagrid
system). The built environments in which these crafts are taught and sold hinder the
propagation and marketability of craft products to target market. Furthermore, the inadequacy
of the education sector to develop craft skills and recognize the importance of crafts for these
developments has devoid the major chunk of our population living in rural and urban areas to
utilize these resources.
This thesis aims to design and improve built environment of the spaces where these crafts are
taught and sold through the use of architectonics quality of spaces so as to celebrate the
cultural significance of craftsmanship as well extend the scope of craft for cultural and
economic development