dc.contributor.author | Saif, Masshal | |
dc.date.accessioned | 2025-03-04T08:45:00Z | |
dc.date.available | 2025-03-04T08:45:00Z | |
dc.date.issued | 2016 | |
dc.identifier.other | 117677 | |
dc.identifier.uri | http://10.250.8.41:8080/xmlui/handle/123456789/50480 | |
dc.description.abstract | Contemporary architectural discourse on narrative studies suggests that a succession of events or impressions embodied within fiction can be 'read' through the sequencing of space in a building. Continuing with this line of reasoning, we can further assume that a building can be 'read' the same way as a sequence of shots in a film or the plot in a book. This is the course taken by many architects in the field who have based some of their best works upon the careful construction of a series of events and framed views, creating a narrative of their own. | en_US |
dc.language.iso | en | en_US |
dc.publisher | (SADA), NUST | en_US |
dc.subject | film devices | en_US |
dc.title | The Spectacular Garnet | en_US |
dc.type | Thesis | en_US |