Abstract:
Over the past few centuries, as the World has come under the thrall of modern
innovations and industrialization, Sufism has gradually lost its meaning and its luster.
Most of the western nations believe in the practical and what they can see and have
collectively stopped believing in religion as a way of life. Even Muslim nations like
Turkey and Saudi Arabia have abolished or suppressed the practice of Sufism to focus
more on the literal side of Islam.
Sufis, Walis (Friends of Allah) have gradually dwindled in number as the World shifts
towards a more "modern" way of life. Sufism is a devoted way of prayer and offering,
spending the life in the love of the Allah and distancing oneself from the worldly woes to
embark on a journey of self-realization (Burckhardt, 1995). As lifestyles changed with
time, believers took the liberty to conform to views that were more convenient with
respect to the newer eras, somehow killing the real meaning of Sufism. The Sufi saints
(or the living-dead) have a large disciple crowd in the subcontinent, followers who
devoutly follow their pirs and live their lives according to their teachings but their beliefs
and practices have been distorted as times progressed (Hassanali, 2010). However, the
unique cultural diversity of the subcontinent means that Sufism holds a special place in
its history for its ability to connect people from different castes, creeds and cultures.
Many historians attribute the work of early Sufi scholars like Shaykh Ali Hujwiri and
Khwaja Gharib Nawaz for the spread of Islam in the subcontinent and their teachings are
considered a fundamental pillar of the faith of the majority of people in Pakistan. We
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went around exploring and analysing what the devotees' practice at the shrines of their
celebrated Sufis, what the legitimate old practices were, and how have they changed over
the years. Ultimately we felt the need to discover more about the "shrine culture" in
Pakistan, and how much people know about it. The need to develop content that gives
people the feeling of really experiencing the aura at the shrines lead us to work on a
project where the audience gets to visualise the distinctive cultural qualities of these
renowned shrines.
There is no initiative yet that highlights the cultural exclusivity of the shrines in terms of
Pakistan's peculiar identity. Thus, our project brings to viewers an interactive and
informative journey of what "cultural peculiarity" the shrines took on from their saints,
their successors, and what the disciples believe and practice there now.